feast on tableness and visceral hands
at Arts, Letters & Numbers, as part of 17th Venice Architecture Biennale Italian Virtual Pavilion,
Curator | Director: David Gersten; Project Manager | Associate Curator: Adrianos Efthymiadis; Associate Curator: Sheila Mostofi; Associate Curator: Homa Shojaie.

https://artslettersandnumbers.org/sunship/ (click)

table diary / aug 17th. 21 /
misreadings#2 (click)



table diary / aug 16th. 21 /
misreadings#1 (click)



table diary / aug 18th. 21 /
macaronic table (click)



macaronic table / aug 18th. 21

in the first session, we page into our tables so to discover a macaronic language. we mis-read the book through eating, thus we explore the potentials of a macaronic language.

we take the book as a starting point for an evolving visceral table. the misreading-drawings are as sites of our understandings of the table.

in the second session, we look for a body of the table to embody the macaronic language explored in the morning session.

at the feast we are accompanied by frida foberg and think over the question of 'why do we eat together?'.


table diary / aug 20th. 21 /
puppet hand, an act, a drawing, chirologia (click)



AYŞEGÜL ORUÇOĞLU
Macaronic language uses a mixture of languages
When we read while eating and drinking, misread words are observed.
cut,
fix it,
scribble!
RED
BLUE
BLACK
eat, drink, read..
-PART1-
-PART2-
Exploring the macaronic language in the body of
the table
In the book, there are mostly questions about language and some contradictions.

The dark cloud running through the middle of the book reflects him and Wittgenstein's thoughts. The cloud is in the middle of the table

because these thoughts, these ideas were in the center of his life.
I used the colors, the tools, the brushes randomly I perceived when I read the book. Sometimes I sprayed the colors with a brush, sometimes I drew lines, highlighted the words I wanted
to emphasize. Finally, I created, set up the table in complexity.
sıla avar
the macaronic language is spoken, spoiled through the materiality of the literal and the literatures. every matter has the correspondence to create the syntax in between the tongue and the mouth in the hora of the scope here.
as a respond the the correspondences of what is in between there, the table cloth reflected the spatiality of the syntaxes.
the literal ones reflects as a puke under the skin coming out from the mouth of the skin. the mouth has the voices to be listened. the puke opens and reopens the wounds that skin has.
gülşah pelin arı
table diary / aug 23rd. 21 /
- a dinner story - (click)



naz nar
table diary / aug 26th. 21 /
hoarding, drawing, rituals (click)



table diary / aug 25th. 21 /
script - archive - (click)



table diary / aug 27th. 21 /
ways to archive & final feast (click)



table diary / aug 24th. 21 /
script - a dinner story - (click)



main page



table diary / aug 19th. 21 /
body of a table and a dinner story (click)
arın aydın











Converging through thrap,smt crowded I suppose
Brushed little ones’ meat before the lecturer had arrived.
Yet somehow distinguished from the other ones.
workshop by Bahar Avanoğlu & İpek Avanoğlu