feast on tableness and visceral hands
	
	
		
			at Arts, Letters & Numbers, as part of 17th Venice Architecture Biennale Italian Virtual Pavilion, 
			Curator | Director: David Gersten; Project Manager | Associate Curator: Adrianos Efthymiadis; Associate Curator: Sheila Mostofi; Associate Curator: Homa Shojaie.
			
			https://artslettersandnumbers.org/sunship/  (click)
			
		
	
	
		
			table diary / aug 17th. 21 / 
			misreadings#2 (click)
			
			
			
		
	
	
		
			table diary / aug 16th. 21 / 
			misreadings#1 (click)
			
			
			
		
	
	
		
			table diary / aug 18th. 21 / 
			macaronic table (click)
			
			
			
		
	
	
		
			table diary / aug 20th. 21 / 
			puppet hand, an act, a drawing, chirologia (click)
			
			
			
		
	
	
		puppet hand, an act, a drawing, chirologia / aug 20th. 21
		
		we multiply our hand as a puppet hand embodying the character and the story of the dinner, in question of the relations with the tool. 
				
		we take the dinner story as a narrative,
		the table as the bonding point,
		a glove and the tools as materials.
		the hand opens up and merges with the intestines of the table.
				
		we work on a puppet, an act, and a drawing and a chirologia.
				
		at the feast we are accompanied with manuel j. perez III once again. we explore the acts of the puppet-hands and their drawings and their chirologia.
		
		
		
	
	
	
	
	
	
	
		AYŞEGÜL ORUÇOĞLU /self-sacrificing/x
	
	
		
	 
	
		
	 
	
	
	
	
		a huge gap in the middle, sacrificing itself, leaving a map behind.
	
	
		Self-sacrificing/x (the puppet) which also exists as a tool, works like a rake or a brush.
	
	
	
		chirologia of my puppet
	
	
		How is my puppet acting?
	
	
		
	 
	
	
	
	
	
		The spongy structure that closes the central gap absorbs excess paint.
	
	
		sıla avar / the gorilla acting in the language of 01or2 with other roles
	
	
	
	
		
	 
	
	
	
	
	
	
	
	
		gülşah pelin arı /fmmththepaingrinder 
	
	
	
		
	 
	
	
		
	 
	
		6 tractile members 
		which are used for moving, attacking and grinding.
	
	
		one main spine consisting of tube and connectors;
		and three tenacious cables for moving freely.
	
	
		one grinder-knot at one end. grinder-knot is the main digestion center. at this part, bulges of spine turn into teeth for digesting. 
	
	
		external skin: 
		-chicle (coagulated milky latex of sapodilla tree.)
		/manilkara zapota/
		-polyamides 
	
	
	
		logy2
	
	
		logy3
	
	
		logy4
	
	
		chiro2
	
	
		logy1
	
	
		chiro1
	
	
		logy5
	
	
		logy6
	
	
		logy7
	
	
	
	
		logies of chiro1 and chiro2
	
	
		logy2; to whiste or scream in the language of 1
	
	
		logy1; to capture the stillness in a being 
	
	
		logy3; to whiste or scream in the language of 1's or 2's
	
	
		logy4; to whiste or scream in the language of the null
	
	
		logy5; to measure in a scale 
	
	
		logy6; to mesure in another scale
	
	
	
		still life dialogue of the chiro1&2
	
	
		logy7; to nurture the captured dead
	
	
		performance of an act or 2 of gorilla the puppet 
	
	
		
			table diary / aug 23rd. 21 / 
			- a dinner story - (click)
			
			
			
		
	
	
		naz nar ( 0,0,0)
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		
		 The god of a dead pens         /Is he the same God for the dead people I saw!
		Prayer vegeterian
		An alcoholic judge  
		The right things to do
		The wrong things to do
		The alchemist of the worst.
		A puppeteer who doesn't make lemonade when life gives lemons tries to act in same body, but it is a totally mess
		
		 
		
		 
	
	
	
	
	
		
			table diary / aug 26th. 21 / 
			 hoarding, drawing, rituals (click)
			
			
			
		
	
	
		
			table diary / aug 25th. 21 / 
			script - archive - (click)
			
			
			
		
	
	
	
	
	
		Mohammad Alsharabi / father figure
	
	
		
			table diary / aug 27th. 21 / 
			ways to archive & final feast (click)
			
			
			
		
	
	
		
			table diary / aug 24th. 21 / 
			script - a dinner story - (click)
			
			
			
		
	
	
		
			main page
			
			
			
		
	
	
		
			table diary / aug 19th. 21 /
			body of a table and a dinner story (click)
		
	
	
		
			workshop by Bahar Avanoğlu & İpek Avanoğlu